References
Adams, T. M., & Fuller, B. D. (2006). The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music. Journal of Black Studies , 938-957.
Armstrong, E. G. (2001). Gangsta Misogyny: A Content Analysis of the Portrayals of Violence Against Women in Rap Music, 1987-1993. Journal of Criminal Justice and Popular Culture , 96-126.
Beaver, W. (2010). Rap and the Recording Industry . Business and Society Review , 107-120.
Kubrin, C. E. (2005). Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music. Social Problems , 360-378.
Lena, J. C. (2006). Social Context and Musical Content of Rap Music, 1979-1995. Social Forces , 479-495.
Richardson, J. W., & Scott, K. A. (2002). Rap Music and Its Violent Progeny: America's Culture of Violence in Context. Journal of Negro Education , 175-192.
Salaam, M. y. (1995). The Aesthetics of Rap. African American Review , 303-315.
Schneider, C. J. (2010). Cutlure, Rap Music, "Bitch," and the Development of the Cencorship Frame. . American Behaivoral Scientist , 36-56.
Stephens, V. (2005). Pop goes the rapper; a close reading of Eminem's genderphobia. . Popular Music , 21-36.
Tropeano, E. (2006). Does Rap or Rock Music Provoke Violent Behaivor? Journal of Undergraduate Psychological Research , 31-34.
References
Adams, T. M., & Fuller, B. D. (2006). The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music. Journal of Black Studies , 938-957.
Armstrong, E. G. (2001). Gangsta Misogyny: A Content Analysis of the Portrayals of Violence Against Women in Rap Music, 1987-1993. Journal of Criminal Justice and Popular Culture , 96-126.
Beaver, W. (2010). Rap and the Recording Industry . Business and Society Review , 107-120.
Kubrin, C. E. (2005). Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music. Social Problems , 360-378.
Lena, J. C. (2006). Social Context and Musical Content of Rap Music, 1979-1995. Social Forces , 479-495.
Richardson, J. W., & Scott, K. A. (2002). Rap Music and Its Violent Progeny: America's Culture of Violence in Context. Journal of Negro Education , 175-192.
Salaam, M. y. (1995). The Aesthetics of Rap. African American Review , 303-315.
Schneider, C. J. (2010). Cutlure, Rap Music, "Bitch," and the Development of the Cencorship Frame. . American Behaivoral Scientist , 36-56.
Stephens, V. (2005). Pop goes the rapper; a close reading of Eminem's genderphobia. . Popular Music , 21-36.
Tropeano, E. (2006). Does Rap or Rock Music Provoke Violent Behaivor? Journal of Undergraduate Psychological Research , 31-34.